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Sunday, July 29, 2012

Download Ebook Futurehit. DNA: How The Digital Revolution Is Changing Top 10 SongsBy Jay Frank

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Futurehit. DNA: How The Digital Revolution Is Changing Top 10 SongsBy Jay Frank

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Futurehit. DNA: How The Digital Revolution Is Changing Top 10 SongsBy Jay Frank


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Futurehit. DNA: How The Digital Revolution Is Changing Top 10 SongsBy Jay Frank

The digital revolution has been televised. It is now widely accepted that digital distribution will become the preferred method of consuming music for the majority of people worldwide. The avenues of choice and consumption make it too appealing for music fans to ignore. Millions of music fans have already jumped in head-first with iPods, internet radio, file trading, online music videos and streaming from personalized community pages and websites. While the makeup of this digital landscape has been well documented, there has never been any detailed analysis to what this all means for the music creation process. Listening habits are changing drastically. The methods in which music gatekeepers can understand what music will become hits are rapidly growing deeper than ever before. The gatekeepers themselves are also changing. Jay Frank is one of those gatekeepers. As Head of Music Programming at Yahoo! Music and now as SVP of Music Strategy at CMT, he is on the forefront of the new methods of music consumption. He has been able to synthesize the feedback of millions of music fans weekly to identify, pick and promote future hit songs well before it touches the mainstream radar. What he has seen is that the elements of song writing and production that made hits yesterday are quickly losing ground and new techniques must be implemented for the #1 songs of tomorrow. Future Hit.DNA provides a road map to this digital landscape, outlining 15 points that must change in a song if the artists, songwriters and producers of tomorrow want a chart topping hit. For the first time, Future Hit.DNA actually dissects the elements to a hit song based on the technology that delivers the music. It shows how technology has always led the way hit songs are written from campfires to car stereos. The book provides the blueprint to the subtle changes that need to be made that result in little difference to music fans, but big differences in that song's placement on the charts. The new digital world also opens up many more opportunities for artists and songwriters to earn money on their music than ever before. While examining the methods for tomorrow's hits, Future Hit.DNA also shows how these changes can result in larger royalty checks. Songs can now earn more money than ever, as long as the creator knows the tricks. For the first time, Future Hit.DNA delivers inside tricks from both the music listener and music industry perspective. When utilized, these tips will result in significant advantages in those songs' abilities to become hits. This unprecedented insight will give its readers a leg up over the competition, thereby making the book an essential read for anyone involved in the creation of music.

  • Sales Rank: #271615 in eBooks
  • Published on: 2011-11-16
  • Released on: 2011-11-16
  • Format: Kindle eBook

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Wednesday, July 18, 2012

Download Ebook Crime Against NatureBy Minnie Bruce Pratt

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Crime Against NatureBy Minnie Bruce Pratt

The first title from Sapphic Classics, a co-edition between Sinister Wisdom Magazine and A Midsummer Night's Press to reprint seminal works of lesbian poetry."In spare and forceful language Minnie Bruce Pratt tells a moving story of loss and recuperation, discovering linkages between her own disenfranchisement and the condition of other minorities. She makes it plain, in this masterful sequence of poems, that the real crime against nature is violence and oppression.--From the Judges' Statement, Lamont Poetry Prize 1989, CRIME AGAINST NATURE"Minnie Bruce Pratt's CRIME AGAINST NATURE is, for a number of reasons, a work at the poetic crossroads. It extends the subject of love poetry; it extends the subject of feminist and lesbian poetry; it looks in several directions through the lens of a strong, sensuous poetics, through that fusion of experience with imagination that is the core of poetry, and through cadences founded in the music of speech, tightened and drawn to an individual pitch."--Adrienne Rich

  • Amazon Sales Rank: #1770820 in eBooks
  • Published on: 2016-01-24
  • Released on: 2016-01-24
  • Format: Kindle eBook

From Publishers Weekly The Lamont Poetry Selection for 1989, this hard-edged and provocative collection takes its title from the Alabama statute under which Pratt ( We Say We Love Each Other ) would have faced criminal prosecution as a lesbian had she fought for legal custody of her children. The book centers on the poet's painful decision to give up her two young sons ("I paid for my freedom with my children") and her coming to terms with a choice forced on her by an unforgiving patriarchal system. Never sentimental or histrionic, Pratt's poems deal directly and explicitly with issues of anger, shame, sexuality and injustice. Thematic concerns of self-denial, separation, loss and the mother-child relationship are powerfully reinforced by recurring images of a "splintered" and "divided" self and Pratt's fragmentary narratives. By staying true to her lesbian identity, she earns the respect and love of her sons, who, although not in her custody, are not alienated from her. Here Pratt is finally able to tell her "version" and, ultimately, see herself not as victim but victor: "In my version, I walk / to where I want to live." Copyright 1990 Reed Business Information, Inc.

Review All The Women Caught In Flaring Light: 1 All The Women Caught In Flaring Light: 2 All The Women Caught In Flaring Light: 3 Another Question: 1 Another Question: 2 At Fifteen, The Oldest Son Comes To Visit: 1 At Fifteen, The Oldest Son Comes To Visit: 2 At Fifteen, The Oldest Son Comes To Visit: 3 At Fifteen, The Oldest Son Comes To Visit: 4 At Fifteen, The Oldest Son Comes To Visit: 5 At The Vietnam Memorial The Child Taken From The Mother Crime Against Nature: 1 Crime Against Nature: 2 Crime Against Nature: 3 Crime Against Nature: 4 Crime Against Nature: 5 Crime Against Nature: 6 Declared Not Fit Down The Little Cahaba Dreaming A Few Minutes In A Different Element: 1 Dreaming A Few Minutes In A Different Element: 2 Dreaming A Few Minutes In A Different Element: 3 Dreaming A Few Minutes In A Different Element: 4 The First Question I Am Ready To Tell All I Know In The Waiting Room At The Draft Board Justice, Come Down The Laughing Place The Mother Before Memory: 1 The Mother Before Memory: 2 The Mother Before Memory: 3 The Mother Before Memory: 4 The Mother Before Memory: 5 Motionless On The Dark Side Of The Light My Life You Are Talking About No Place The Place Lost And Gone, The Place Found Poem For My Sons Seven Times Going, Seven Coming Back Shame: 1 Shame: 2 Shame: 3 Shame: 4 Shame: 5 Sounds From My Previous Life Talking To Charlie Two Small-sized Girls: 1 Two Small-sized Girls: 2 Two Small-sized Girls: 3 A Waving Hand While Reading Timerman's The Longest War -- Table of Poems from Poem Finder®

About the Author Minnie Bruce Pratt is a poet, essayist, activist, and teacher. Her most recent poetry collection is Inside the Money Machine (Carolina Wren Press, 2010). CRIME AGAINST NATURE won the Lamont Poetry Prize in 1989.

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Sunday, July 15, 2012

PDF Ebook Composing Music for Games: The Art, Technology and Business of Video Game Scoring

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Composing Music for Games: The Art, Technology and Business of Video Game Scoring

Composing Music for Games: The Art, Technology and Business of Video Game Scoring


Composing Music for Games: The Art, Technology and Business of Video Game Scoring


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Composing Music for Games: The Art, Technology and Business of Video Game Scoring

About the Author

Chance Thomas is a composer, educator and entrepreneur. His music has underscored blockbuster commercial success and critical acclaim, including an Oscar, an Emmy and billions of dollars in video game and film sales worldwide. Game credits include DOTA 2, Lord of the Rings Online, James Cameron’s Avator, Heroes of Might and Magic, Peter Jackson’s King Kong and many more. As an educator, Chance works with universities, colleges and conferences to help students and professionals navigate the intersection of music scoring, technology and business. He has served on advisory boards for Full Sail University, Brigham Young University, the Game Developer’s Conference and the Game Audio Network Guild. His business interests range across studios, publishing and audio services, successfully supporting a music career spanning more than 30 years.

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Product details

Paperback: 364 pages

Publisher: Routledge; 1 edition (October 1, 2015)

Language: English

ISBN-10: 1138021415

ISBN-13: 978-1138021419

Product Dimensions:

7.5 x 0.8 x 9.2 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#291,620 in Books (See Top 100 in Books)

Excellent book!This book is a tool in learning how to compose music for video games whether you are a novice or an expert. It is written from a textbook perspective, so there are many activities/assignments to push you to write and think creatively and critically about the concepts of the book. The concepts of the book do not have to be linear. You can go through it cover to cover or you can zero in on specific topics of interest to help your composition experience.

I've had the pleasure to meet Chance Thomas last year when this book was about to be published. After ordering it, I've read through carefully the first few chapters and am very inspired by his instructions. Besides the inspiring language in the book, there are plenty of extra content like side bubbles of interviews from other composers that are related to the topic at hand. Not only that, there is a website (under contruction) that includes listening examples and videos. He lays out the book in several sections from Principles, Process, Business, Evolution and Appendages. I highly recommend it!

Excellent book for anyone looking into getting into the Video Game Composition industry :)

"The Bible of Video Game Music Composition, Lifestyle and Business". Inside of "Composing Music for Games" Chance Thomas simply destroys wrong theories, principles, and composing styles and brings to life the same but the "RIGHT WAY"."Chapter 0" is the most profound material I have read on the subject. This chapter 0 is the foundation (if you will). Chance Thomas laid the concrete to my career in this chapter to point I literally had tears in my eyes. After years and years of looking, cold-emailing, and listening to professionals talk AROUND how to succeed.The chapters just don't allow you to read them. They challenge you, they ask you questions. It made me rethink my whole compositional approach because Chance gives you the "secrets" literally.In conclusion, this is the greatest book that I had read hands down. I have read "A Composer's Guide to Game Music", "The Craft of Music Composition", and many more. They don't even come close. THEY DON'T COME CLOSE! If you do not let Chance's words guide you threw this game music world that we composer live in "You will be Lost".And he is a "GREAT GUY".Cheers,

Very insightful and very useful and user friendly!

Here is the most honest, reliable, trustworthy review you will get about this book. Ladies and gents, you cannot possibly go wrong with Chance’s Composing Music for Games: The Art, Technology and Business of Video Game Scoring. And I am here to tell you why.The book encloses invaluable information about a business that many have to often walk into with a thousand questions and very little answers. The text, its simple-to-follow format, numerous references, and knowledge-enhancing visuals complete the perfect formula for not only incorporating rich and incredible information, but ensuring that the reader’s focus never shifts.It follows a “textbook” adaptability while simultaneously being a great read like any casual reading book, and not feeling like you’re simply collecting ideas, but rather understanding how to employ them in the real world. The book enables readers to understand the different techniques, styles, terminologies and situations found in today’s video game scoring business by enabling the interpreter to critically follow and analyze what’s being learned.The book does a great job at adapting to how the business has (and continues) to move. The inclusion of extra references and links enhance the capabilities of what you can get form the text by itself, and expand the learning experience; all part of keeping future composers engaged and immersed in continuous knowledge.Lastly, I’d like to say that one of the best things about the book is how much more “approachable” it makes a career as a video game composer look. Although it clearly shows how much work it is, it also shows a “human” side, if you will, by sharing many comments, ideas and approaches from multiple composers, and I can tell this inspires me a lot, along with many other great things about the book, to pursue my dream.For anyone who wants to be in the business, work along the business, simply understand the business or just needs something interesting to read--this book is a “two-thumbs-up”.

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Composing Music for Games: The Art, Technology and Business of Video Game Scoring PDF
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